In this series, I use simple geometric vase forms as a canvas for experimentation, exploring the expressive potential of surface through both traditional ceramic tools and found objects collected from nature and everyday life.

By pressing, carving, imprinting, and layering marks into wet clay, I investigate how different textures interact with form, light, and glaze. Each vessel becomes a record of material encounters—capturing patterns, irregularities, and traces that are impossible to replicate exactly.